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備注：已完結(jié)
類型：劇情片
主演：喬納森·梅杰斯 格倫·鮑威爾 賽琳達(dá)·斯萬(wàn) 托馬斯·薩多斯基 約瑟夫·
導(dǎo)演：J·D·迪拉德
語(yǔ)言：英語(yǔ) / 韓語(yǔ)
年代：未知
簡(jiǎn)介：Black Label Media將把2015年亞當(dāng)·馬庫(kù)斯的著作《忠誠(chéng)：英雄主義、友誼、犧牲的史詩(shī)故事》(Devotion: An Epic Story of Heroism, Friendship, and Sacrifice)搬上大銀幕。小說(shuō)圍繞兩名朝鮮戰(zhàn)爭(zhēng)的飛行員展開(kāi)，其中一名來(lái)自富裕的英格蘭家庭，另一個(gè)是來(lái)自密西西比黑人家庭。兩人成為美國(guó)歷史上頂尖的飛行員。格倫·鮑威爾([隱藏人物])將參演影片。本片由杰克·克蘭、喬納森·斯圖爾特打造劇本。
備注：已完結(jié)
類型：喜劇片
主演：MykhailoKhoma OlenaLavrenyuk Nazari
導(dǎo)演：OlehBorshchevskyi
語(yǔ)言：烏克蘭語(yǔ) Ukari
年代：未知
簡(jiǎn)介：心懷藝術(shù)家大夢(mèng)的迪迪在趕場(chǎng)時(shí)意外撞壞了當(dāng)?shù)亓髅サ能囎?。為了在三天?nèi)賠償他，迪迪想盡辦法。迪迪在報(bào)紙上看到了走私香煙到波蘭賺錢的消息。這時(shí)，笨蛋助手余力克想到了牧師的兒子利瑪爾。牧師去首都基輔三天，會(huì)在周日儀式開(kāi)始前趕回來(lái)要迪迪拿著利瑪爾那里的鑰匙跑到教堂，把大家放在教堂里的善款“借”出來(lái)。就這樣共同踏上了一場(chǎng)冒險(xiǎn)旅程。在去往邊境的途中一個(gè)漂亮的女人出現(xiàn)在他們的路上，并破壞了他們的所有計(jì)劃。當(dāng)這三個(gè)人冒著風(fēng)險(xiǎn)實(shí)現(xiàn)夢(mèng)想成真時(shí)，意外的事情發(fā)生了……
備注：已完結(jié)
類型：喜劇片
主演：VichayutLimratanamongkol JularatHan
導(dǎo)演：LaddawanRattanadilokchai
語(yǔ)言：泰語(yǔ)
年代：未知
簡(jiǎn)介：龐格 (威查宇˙里拉塔納蒙肯 飾)是位內(nèi)向的高中生，雖不擅長(zhǎng)踢足球但為了滿足父親的期望而硬著頭皮加入校隊(duì)。而相反的，萍珂 (珠拉瑞˙漢蓉柔 飾)是個(gè)個(gè)性直率且熱愛(ài)足球的女孩，她因愛(ài)慕校隊(duì)的隊(duì)長(zhǎng)-彼克(洽查威˙德查盧朋 飾)，一心希望能進(jìn)入校隊(duì)，但礙于性別的關(guān)系而無(wú)法成功加入。但在一次偶然地意外中，龐格和萍珂兩人靈魂竟互換了!他們被迫以對(duì)方的身分和異性相處及生活，在互換的過(guò)程中他們更加明白內(nèi)心的真實(shí)感受，也無(wú)意中發(fā)現(xiàn)周遭人的秘密…而彼克也漸漸被互換靈魂的龐格吸引，最后他們的靈魂是否能成功換回?而這愛(ài)情三角習(xí)題最終會(huì)演變成什么樣的結(jié)局?
鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965
備注：已完結(jié)
類型：劇情片
主演：BobDylan JoanBaez JudyCollins
導(dǎo)演：MurrayLerner
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
備注：已完結(jié)
類型：喜劇片
主演：SarunCinsuvapala NutjareeHorvejkul
導(dǎo)演：普萬(wàn)尼特·弗迪 查農(nóng)·英永
語(yǔ)言：泰語(yǔ)
年代：未知
簡(jiǎn)介：自從因?yàn)樘肿ゲ坏綋尫硕巧项^條，“阿康”和他三個(gè)朋友就成了泰國(guó)警界的恥辱。這四個(gè)胖警察必須在三個(gè)月內(nèi)甩掉肥肉，否則就會(huì)被懲處！當(dāng)美麗的尊巴舞教練“小敏”加入之后，訓(xùn)練變得令人興奮。然而，搶案持續(xù)發(fā)生，一臺(tái)銀行運(yùn)鈔車被搶后損失慘重，歹徒卻沒(méi)有留下任何線索。四位警探必須在塑身的同時(shí)偵查犯罪，減肥期限將近，但犯案之謎卻仍未解開(kāi)。這幾個(gè)超大條的家伙，要如何保住他們的飯碗呢？
備注：已完結(jié)
類型：劇情片
主演：Sergio Prina Liliana Juarez Leon Ze
導(dǎo)演：奧古斯丁·托斯卡諾
語(yǔ)言：西班牙語(yǔ)
年代：未知
簡(jiǎn)介：影片講述一位搶劫犯為保住他的錢包毆打一位老太太，這次事件讓他想起過(guò)去的犯罪記憶，從此他無(wú)法繼續(xù)安安心心地過(guò)正常日子。阿根廷的失業(yè)青年米蓋爾干起了搶劫的勾當(dāng)。他和狐朋狗友騎著摩托車搶走了一個(gè)剛剛走出家門的老太太的包。老太太死死地拽住包不肯撒手，他們的車子拖著老太太開(kāi)了很遠(yuǎn)...知道老太太撒手倒在地上。事后，米蓋爾有些擔(dān)心老太太被自己弄死了，回過(guò)頭去醫(yī)院找到老太太
備注：已完結(jié)
類型：愛(ài)情片
導(dǎo)演：BorisKunz
語(yǔ)言：德語(yǔ)
年代：未知
簡(jiǎn)介：Foryears,Martinhasbeenworkingonhisgreatplayaboutcloudcastles,flyingpiratesandafeistyprincess.HissecretrolemodelfortheleadingcharacterishisgoodfriendIsabel,acheekyyoungwomanwhoiswagingwarongeneticallymodifiedseedsaroundtheworld.AndsheisleavingtomorrowtogotothemiddleofAfricaforthenextthreeyears.Lowandbehold,Martin...
