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備注：已完結(jié)
類型：喜劇片
主演：VichayutLimratanamongkol JularatHan
導(dǎo)演：LaddawanRattanadilokchai
語(yǔ)言：泰語(yǔ)
年代：未知
簡(jiǎn)介：龐格 (威查宇˙里拉塔納蒙肯 飾)是位內(nèi)向的高中生，雖不擅長(zhǎng)踢足球但為了滿足父親的期望而硬著頭皮加入校隊(duì)。而相反的，萍珂 (珠拉瑞˙漢蓉柔 飾)是個(gè)個(gè)性直率且熱愛(ài)足球的女孩，她因愛(ài)慕校隊(duì)的隊(duì)長(zhǎng)-彼克(洽查威˙德查盧朋 飾)，一心希望能進(jìn)入校隊(duì)，但礙于性別的關(guān)系而無(wú)法成功加入。但在一次偶然地意外中，龐格和萍珂兩人靈魂竟互換了!他們被迫以對(duì)方的身分和異性相處及生活，在互換的過(guò)程中他們更加明白內(nèi)心的真實(shí)感受，也無(wú)意中發(fā)現(xiàn)周遭人的秘密…而彼克也漸漸被互換靈魂的龐格吸引，最后他們的靈魂是否能成功換回?而這愛(ài)情三角習(xí)題最終會(huì)演變成什么樣的結(jié)局?
鏡子的另一面：紐波特民歌藝術(shù)節(jié)1963~1965
備注：已完結(jié)
類型：劇情片
主演：BobDylan JoanBaez JudyCollins
導(dǎo)演：MurrayLerner
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介："Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
備注：已完結(jié)
類型：動(dòng)作片
主演：JakeMcGarry ShonaMelrose KerryBrown
導(dǎo)演：PhilipTodd
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：暫無(wú)簡(jiǎn)介
備注：已完結(jié)
類型：喜劇片
主演：KongHuayrai SingtoNumchok Ballchern
導(dǎo)演：PariphanWacharanon
語(yǔ)言：泰語(yǔ)
年代：未知
簡(jiǎn)介：????????? (???? ???????) ????????????????????????????????? ??????????????????????????? ??????????????????? ??????????????????????????????? ??????? (????? ?????) ????????????????????????????????, ???????????? (??? ????????) ???????????????????? , ??? (????? ??????)????????????????????????? ??? ???? (???????? ???????) ??????????????????????????????? ??????????????????????????????...
備注：已完結(jié)
類型：動(dòng)作片
主演：艾文·科蒂克 尼基塔·科洛格利維 SofyaOzerova
導(dǎo)演：未知
語(yǔ)言：
年代：未知
簡(jiǎn)介： 前俄羅斯特種部隊(duì)干員尼基塔受雇去消滅一家工廠里龐大的私人保安力量，這樣他那可疑的雇主就能要挾工廠老板。但尼基塔和跟隨他的一群熟練戰(zhàn)士卻發(fā)現(xiàn)擁有這家工廠的其實(shí)是一個(gè)與俄羅斯軍方有染的危險(xiǎn)軍閥。
備注：已完結(jié)
類型：喜劇片
主演：SarunCinsuvapala NutjareeHorvejkul
導(dǎo)演：普萬(wàn)尼特·弗迪 查農(nóng)·英永
語(yǔ)言：泰語(yǔ)
年代：未知
簡(jiǎn)介：自從因?yàn)樘肿ゲ坏綋尫硕巧项^條，“阿康”和他三個(gè)朋友就成了泰國(guó)警界的恥辱。這四個(gè)胖警察必須在三個(gè)月內(nèi)甩掉肥肉，否則就會(huì)被懲處！當(dāng)美麗的尊巴舞教練“小敏”加入之后，訓(xùn)練變得令人興奮。然而，搶案持續(xù)發(fā)生，一臺(tái)銀行運(yùn)鈔車被搶后損失慘重，歹徒卻沒(méi)有留下任何線索。四位警探必須在塑身的同時(shí)偵查犯罪，減肥期限將近，但犯案之謎卻仍未解開(kāi)。這幾個(gè)超大條的家伙，要如何保住他們的飯碗呢？
備注：已完結(jié)
類型：劇情片
主演：EmilyBettRickards KeithCarradine Ha
導(dǎo)演：TimothyArmstrong
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：《女牛仔與天使2：達(dá)科塔的夏天》講述的是Dakota Rose是個(gè)西部女孩，平時(shí)參加花樣馬術(shù)比賽，屢次失敗，還被競(jìng)爭(zhēng)對(duì)手嘲笑。不幸的是，如今18歲的她突然得知自己是被收養(yǎng)的。悲傷之下，Dakota選擇了離家出走，尋找自己的生母。這一路上經(jīng)歷了許多，結(jié)識(shí)了不少朋友，也明白了生活的道理，Dakota最終選擇了回家……
備注：已完結(jié)
類型：恐怖片
主演：耶爾·格洛格拉斯 YonTomarkin DanielleJadely
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：在過(guò)去的一年里，青春靚麗的女孩莎拉·帕爾曼（Danielle Jadelyn 飾）經(jīng)歷了有生以來(lái)最為難熬的一刻。為了讓她開(kāi)心，父親給她買了智能眼鏡。在此期間，好友瑞秋·克萊恩（耶爾·格洛格拉斯 Yael Grobglas 飾）約她一同前往以色列第二大城市特拉維夫旅行。莎拉未作過(guò)多考慮，便和瑞秋踏上旅途。在飛機(jī)上，她邂逅了學(xué)習(xí)人類學(xué)的青年凱文·瑞德（Yon Tumarkin 飾），后者對(duì)神秘的宗教深感興趣。于是下了飛機(jī)后，莎拉自作主張臨時(shí)改變行程，帶著瑞秋一同隨凱文前往耶路撒冷。 青春男女歡呼雀躍，歌舞升平，一度讓沙拉忘記了悲傷往事。她兀自沉溺耶路撒冷的夜色中，殊不知卻離傳說(shuō)中的地獄之門越來(lái)越近……?豆瓣
