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備注：已完結(jié)
類型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結(jié)
類型：劇情片
主演：Demian Hernández Antar Machado Magd
導(dǎo)演：多明加·索托邁約·卡斯蒂略
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：1990年夏天，在智利，一小群家庭生活在安第斯山脈下面的一個(gè)孤立的社區(qū)，他們建立了一個(gè)遠(yuǎn)離城市過(guò)度行為的新世界，試圖充分利用這個(gè)國(guó)家最近結(jié)束獨(dú)裁統(tǒng)治后出現(xiàn)的自由。在這個(gè)變化和清算的時(shí)代，十幾歲的索菲亞、盧卡斯和克萊拉與他們的父母、他們的初戀和他們的恐懼作斗爭(zhēng)，他們?yōu)樾履昵跋?zhǔn)備一個(gè)大聚會(huì)。他們可能遠(yuǎn)離城市的危險(xiǎn)，但不會(huì)遠(yuǎn)離自然。
備注：已完結(jié)
類型：劇情片
主演：瑪利亞·沙拉耶娃 葉甫蓋尼·齊加諾夫 瑪利亞·沙拉耶娃 Anastas
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：俄羅斯黑海之濱，六歲的小女孩愛(ài)麗莎（Anastasiya Dontsova 飾）和母親（Mariya Sokova 飾）、祖母住在一起。平日里祖孫二人呆在家中，母親辛苦賺錢，怨聲載道。小愛(ài)麗莎希望學(xué)習(xí)芭蕾舞，但遭到母親的反對(duì)，結(jié)果被送進(jìn)了合唱班。在一次日食過(guò)后，愛(ài)麗莎決定不發(fā)一言，母親四處求醫(yī)，最后無(wú)奈將女兒送入特等學(xué)校。愛(ài)麗莎（Mariya Shalayeva 飾）在這里度過(guò)十年歲月，并自認(rèn)為學(xué)會(huì)了如何心想事成的特異功能。她的愿望讓枯燥無(wú)聊的生活多姿多彩，雖然時(shí)常有不好的事情發(fā)生…… 本片榮獲2008年柏林國(guó)際電影節(jié)影評(píng)人費(fèi)比西獎(jiǎng)、2008年卡蘿維瓦莉國(guó)際電影節(jié)最佳獨(dú)立電影、2008年圣丹斯電影節(jié)導(dǎo)演獎(jiǎng)等。
備注：已完結(jié)
類型：劇情片
主演：瓊·克勞馥 杰夫·錢德勒 簡(jiǎn)·斯特林 塞西爾·凱拉威 朱迪思·伊夫林
導(dǎo)演：約瑟夫·佩夫尼
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：海邊別墅的女房客埃勒維茲掉下懸崖死亡，鄰居德拉蒙向警局聲稱他們?cè)诤＿叞l(fā)生了一次爭(zhēng)吵，他轉(zhuǎn)身離開(kāi)，后來(lái)才發(fā)現(xiàn)酒醉的埃勒維茲失足落海。房東——寡婦琳恩搬進(jìn)了已故丈夫留下的這棟海濱別墅里。她發(fā)現(xiàn)德拉蒙會(huì)經(jīng)常過(guò)來(lái)干擾她的生活，雖然自己很生氣卻又被他迷倒。在琳恩決定與德拉蒙結(jié)婚并前去度蜜月之時(shí)，卻發(fā)現(xiàn)他可能與埃勒維茲的死有關(guān)，甚至還可能會(huì)殺害自己……
備注：已完結(jié)
類型：劇情片
主演：Marvin Coroy Manuel Manuel Antún
導(dǎo)演：杰羅·布斯塔曼特
語(yǔ)言：西班牙語(yǔ)
年代：未知
簡(jiǎn)介：瑪利亞，是一名17歲的卡齊格爾族(Kaqchikel)瑪雅人少女，她的父母經(jīng)營(yíng)一家咖啡種植場(chǎng)，就在一座活火山的山腳下?，斃麃唽⒓藿o一位在種植園工作的工作，然而她渴望去發(fā)現(xiàn)外面的世界，渴望在山的那一邊她從未到過(guò)甚至也無(wú)法想象的神秘的世界。為此，瑪利亞引誘了一名咖啡采收工人，想讓他帶自己到美國(guó)過(guò)。然而對(duì)方卻丟下她一個(gè)人逃跑了。從這時(shí)，瑪利亞開(kāi)始用一雙新的眼睛來(lái)發(fā)現(xiàn)她的家園以及文化。
備注：已完結(jié)
類型：劇情片
主演：Stanislaw Latallo Malgorzata Pritul
導(dǎo)演：克日什托夫·扎努西
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：贊努西打開(kāi)國(guó)際影壇大門(mén)的早期代表作，以繁復(fù)而疏離的形式和內(nèi)省的命題著稱。 藉由一心進(jìn)入知名學(xué)府物理系就讀的男主角，日后戀愛(ài)、輟學(xué)、逃離塵世到回歸體制的過(guò)程，不斷從生活、精神、 思想上發(fā)掘沖突與辯證，游走在性靈與現(xiàn)實(shí)、自由與責(zé)任的拉據(jù)。不僅反映了當(dāng)時(shí)波蘭青年知識(shí)份子的心境， 也確立贊努西日后作品的內(nèi)在主題。
備注：已完結(jié)
類型：劇情片
主演：伊夫·蒙當(dāng) 艾琳·帕帕斯 讓-路易·特蘭蒂尼昂 弗朗索瓦·佩里埃 雅克
導(dǎo)演：科斯塔-加夫拉斯
語(yǔ)言：法語(yǔ),俄語(yǔ),英語(yǔ)
年代：未知
簡(jiǎn)介：本片講述在軍事政權(quán)創(chuàng)獨(dú)裁體制的南歐某國(guó)（影射希臘），反對(duì)政府的在野黨領(lǐng)袖Z先生在一次演講中遭人暗殺，政府當(dāng)局公布是意外車禍而死，對(duì)這理由不能置信的人們強(qiáng)烈要求查明真相。從Z先生的同事那兒打聽(tīng)到種種跡象的檢察官?zèng)Q定抵抗政治壓力追查到底，終于發(fā)現(xiàn)這是一宗有計(jì)劃的政治謀殺，并牽扯出許多政界的大人物?？墒呛髞?lái)牽涉這件命案的人不是被流放就是被處以徒刑或是被殺。加斯華憑借此片一舉成名，并開(kāi)啟了政治黑幕片的新風(fēng)暴。
