備注：已完結(jié)
類型：科幻片
主演：喬爾·考特尼 杰西卡·塔克 喬爾·麥金農(nóng)·米勒 瑞恩·李 扎奇·米爾斯
導(dǎo)演：J·J·艾布拉姆斯
語言：英語
年代：未知
簡介：時間是1979年，美國俄亥俄州一個平凡小鎮(zhèn)。少年喬·蘭布（喬爾·科特尼 Joel Courtney 飾）痛失母親，生死悲痛讓他久久地沉默。數(shù)月后，他應(yīng)好朋友查爾斯（雷利·格里芬斯 Riley Griffiths 飾）的邀請，決定約上幾個朋友一起用超8攝像機（8 mm）拍攝一部恐怖電影。當然令他下定決心的，是那個令她心儀的美麗女孩愛麗絲（艾麗·范寧 Elle Fanning 飾）也參與其中。在某個夜晚，愛麗絲駕駛父親的汽車載著伙伴們來到火車站拍戲，誰知卻目睹了一場極其慘烈的火車事故。
備注：已完結(jié)
類型：科幻片
主演：Madeleine Barwén Trollvik Richard S
語言：其它
年代：未知
簡介：Alone in Space is a high concept adventurous, warm and funny genre feature film that doesn't shy away from big questions about life and death. Alone in Space takes the audience on a ride with two kids lost in space, accompanied by a friendly alien.
備注：已完結(jié)
類型：科幻片
主演：克里斯托弗·加吉 伊麗莎白·霍爾姆 MattLagan PaulAnd
導(dǎo)演：EmileEdwinSmith
語言：英語
年代：未知
簡介：《超級鯊大戰(zhàn)機器鯊》是一部科幻災(zāi)難片。影片講述了一只新的巨型鯊魚出現(xiàn)在太平洋里，使海洋安全受到了巨大的威脅，為了阻止巨型鯊帶來的破壞，美國政府為此也極為頭疼。他們曾經(jīng)想過各種方式，最終美國政府決定用科學(xué)家近期發(fā)明的巨大機械鯊魚來應(yīng)對這只超級大鯊魚，整個過程中機器鯊也遭到了前所未有的襲擊。在科研人員操作下的機械鯊和恐怖的巨型鯊即將展開的這場惡戰(zhàn)中，到底孰勝孰敗呢？在經(jīng)歷了惡斗之后，人類是否可以徹底打敗這只巨型鯊魚呢？
備注：已完結(jié)
類型：科幻片
主演：John Price Preben Neergaard Lotte T
語言：其它
年代：未知
簡介：The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.
備注：已完結(jié)
類型：科幻片
主演：Margarete Sch?n Theodor Loos Paul B
語言：其它
年代：未知
簡介：Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
