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備注：已完結(jié)
類型：喜劇片
主演：詹姆斯·亞歷山大 ElizeCawood JamesCunningha
導(dǎo)演：CornevanRooyen
語言：南非語
年代：未知
簡介：班是一名機(jī)械工，但他的夢想是當(dāng)一個(gè)專業(yè)樂手。他暗戀老闆的女兒，假裝自己玩團(tuán)來讓她刮目相看，他的同事也配合一起演戲。當(dāng)真相被揭穿，班必須憑自己的真本領(lǐng)來追回心上人。
備注：已完結(jié)
類型：劇情片
主演：Sasha Asay Colby Coash Amanda Aspin
語言：英語
年代：未知
簡介：影片講述了一個(gè)熱愛潛水的女人，她有一個(gè)相愛的男友，在一次潛水時(shí)男友突發(fā)意外去世，她十分傷心。然而生活還是要繼續(xù)，但是對(duì)她來說自己卻像一條離開水的魚，終于她又一次潛水，當(dāng)她從水中出來后，卻驚訝的發(fā)現(xiàn)空氣十分稀薄已經(jīng)不足以支撐人類呼吸，好在氧氣罐中還存有氧氣，來到地面，她發(fā)現(xiàn)人們都相繼昏迷，為了搞清楚究竟發(fā)生了什么，她開始了一場驚險(xiǎn)的旅途。
備注：已完結(jié)
類型：劇情片
主演：芙蕾達(dá)·平托 威廉·達(dá)福 瓦妮莎·雷德格雷夫 亞歷山大·希迪格 Yas
導(dǎo)演：朱利安·施納貝爾
語言：英語
年代：未知
簡介：《米拉爾》是由法國、以色列、意大利、印度聯(lián)合制片的112分鐘劇情影片。該片由朱利安·施納貝爾執(zhí)導(dǎo)，芙蕾達(dá)·平托、西婭姆·阿巴斯等主演，于2010年9月3日在意大利上映。該片自意大利裔巴勒斯坦女記者露拉·耶布瑞爾所著同名半自傳體小說，講述了巴勒斯坦女慈善家海因德·胡賽因救助的孤女米拉爾在目睹了母親被殺以及連綿的戰(zhàn)亂之后，選擇以激進(jìn)的方式進(jìn)行反抗的故事
備注：已完結(jié)
類型：劇情片
主演：Diljit Dosanjh Tapsee Pannu 安加德·貝迪
語言：其它
年代：未知
簡介：Soorma is the story of the triumph of the human spirit, about a player, who made headlines for his miraculous comeback after facing a near death experience through sheer determination, hard work and unrelenting passion for the sport.
備注：已完結(jié)
類型：劇情片
主演：Ece ?esmioglu Erdem Kaynarca 邁萊特·費(fèi)拉
導(dǎo)演：內(nèi)西普·卡根·奧茲德米爾
語言：其它
年代：未知
簡介：沃拉爾的人生平凡無奇。他生長于一個(gè)虔誠的家庭，通過經(jīng)營一家坐落于伊斯坦布爾美國領(lǐng)事館對(duì)面的照相館，履行著作為養(yǎng)家糊口之人的職責(zé)，供養(yǎng)年輕的兒子和生病的父親。此外，他還延續(xù)家族傳統(tǒng)，指導(dǎo)兒子成為一個(gè)正直的人。但在表象之下，沃拉爾也有一個(gè)秘密：他和年輕的女顧客——為了申請(qǐng)美國簽證而找他拍照的索奈有了外遇。索奈一心想要離開這里，在夢想破滅后，憤怒的她和沃拉爾起了爭執(zhí)，威脅到了他平靜的生活。最終，沃拉爾必須做出選擇：是誠實(shí)地面對(duì)自己犯下的過錯(cuò)，還是掩蓋真相、走上道德淪喪的黑暗之路？
備注：已完結(jié)
類型：劇情片
主演：Anna Neagle Anton Walbrook C. Aubre
語言：英語
年代：未知
簡介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
備注：已完結(jié)
類型：劇情片
主演：丹妮爾·戴德懷勒 烏比·戈德堡 西恩·帕特里克·湯瑪斯 海莉·貝內(nèi)特
導(dǎo)演：池娜葉·楚庫
語言：英語
年代：未知
簡介：故事講述了美國黑人民權(quán)運(yùn)動(dòng)中的一樁真實(shí)事件，1955年，年僅14歲的埃米特·路易斯·蒂爾被指 責(zé)與一名白人婦女有不正當(dāng)關(guān)系后，被綁架并被殘忍地殺害。兩名白人嫌疑人在全白人陪審團(tuán)的審判下，被判無罪。埃米特的母親瑪米·蒂爾-莫布利(丹妮爾飾)為了幫兒子伸張正義，決定在埃米特的葬禮上敞開棺材，并讓《Jet》雜志刊登自己兒子葬禮照片，她想讓世界各地的人們知道她兒子的遭遇。隨后成千上萬的人看到了埃米特的照片，這也使得埃米特案成為了對(duì)南方黑人司法不公的象征。烏比飾演埃米特的祖母阿爾瑪·卡爾坦。
