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備注：已完結(jié)
類型：科幻片
主演：藤崎露琪諾 Yoshiichi Kawada 小柴亮介 南加繪 Yuu
導(dǎo)演：山口洋輝
語言：日語
年代：未知
簡(jiǎn)介：在一個(gè)迥異鬼魅的社會(huì)，上百層的高樓大廈拔地而起，儼然構(gòu)筑了一個(gè)全然封閉的城市鄉(xiāng)鎮(zhèn)。居住在138層的女子高中生藤崎（藤崎露琪諾 飾）此前很長(zhǎng)時(shí)間沒有去學(xué)校，這一天她乘坐交通工具“移動(dòng)機(jī)筒”趕往學(xué)校，不同身份的乘客相繼走入，帶著各異的目的去往他們的樓層。誰知意外毫無征兆發(fā)生，移動(dòng)機(jī)筒因爆炸事故突然停止運(yùn)行。突如其來的狀況，讓所有人的命運(yùn)發(fā)生轉(zhuǎn)變。原本甘心受戮的死囚犯仿佛窺到一線生機(jī)，因此展開拼死搏殺。逼仄的轎廂內(nèi)，人間地獄驟然降臨。 在此過程中，藤崎好像發(fā)現(xiàn)自己擁有某種奇特的能力，而她的命運(yùn)也變得愈加撲朔迷離……
備注：已完結(jié)
類型：恐怖片
主演：Lyndsey Lantz Andrea Nelson Joshua
語言：英語
年代：未知
簡(jiǎn)介：愛從來都不是一條平坦的路。沒有人比卡莉和麗娜更清楚這一點(diǎn)了，在卡莉決定從醫(yī)學(xué)院輟學(xué)，麗娜失去了律師的工作后，她們的關(guān)系變得更糟。這迫使他們搬到一個(gè)汽車旅館，一個(gè)他們都不滿意的情況。更糟糕的是，麗娜和抑郁癥的斗爭(zhēng)又回來了，卡莉決定用她剩下的錢買一臺(tái)相機(jī)，這樣她就可以把攝像作為一種職業(yè)。盡管他們的關(guān)系開始出現(xiàn)裂痕，但卡莉和麗娜發(fā)誓要修復(fù)已經(jīng)破裂的關(guān)系，無論情況如何，無論機(jī)會(huì)有多大。但他們都像自己說的那樣堅(jiān)定嗎不幸的是，時(shí)間并不站在他們這一邊。當(dāng)肆虐世界的流行病出現(xiàn)在他們的城市，并開始把人們變成瘋狂的食肉機(jī)器，卡莉和麗娜決定繼續(xù)用他們的相機(jī)記錄這一事件。這樣一來，他們就被迫像從未有過的那樣團(tuán)結(jié)在一起.
備注：已完結(jié)
類型：恐怖片
主演：Nushrratt Bharuccha Mita Vashisht S
導(dǎo)演：Vishal Furia
語言：Hindi
年代：未知
簡(jiǎn)介：Eight-month pregnant Sakshi must save herself and her unborn child from the evil within society and from the fear that lies in the paranormal world.
備注：已完結(jié)
類型：恐怖片
主演：阿迪妮·威拉絲緹 Dion Wiyoko Nova Eliza Ren
導(dǎo)演：Guntur Soeharjanto
語言：其它
年代：未知
簡(jiǎn)介：Edwin and Netta with their two children, Adam and Sekar going to Netta's hometown at Temanggung. Netta were suspected as the cause of Lampor terror at her hometown, a demon who bring a flying casket.
備注：已完結(jié)
類型：恐怖片
主演：Marshall Thompson Shirley Patterson
語言：英語
年代：未知
簡(jiǎn)介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
備注：已完結(jié)
類型：恐怖片
主演：野村宏伸 西田尚美 Ky?ko Kishida Masakane Yo
導(dǎo)演：平山秀幸
語言：日語
年代：未知
簡(jiǎn)介：春休假期，東京某小學(xué)的學(xué)生在小田桐理香老師（西田尚美 飾）的帶領(lǐng)下來到一座寺院宿營(yíng)。男孩女孩們歡聲笑語，吵鬧不斷；寺院住持（米倉(cāng)齊加年 飾）慈祥可親，平易近人。宿營(yíng)的最后一日4月4日，作為宿營(yíng)的保留節(jié)目，夜晚的試膽游戲自然必不可少。孩子們用心準(zhǔn)備，而寺院小偷淺野和成（野村宏伸 飾）則趁亂盜走這里的鎮(zhèn)山之寶。一名學(xué)生進(jìn)入附近的小學(xué)，意外中止了鐘樓的齒輪。黑暗瞬間籠罩這座小山，忙打亂撞進(jìn)入校舍的真彌（細(xì)山田隆人 飾）、阿司（阿部大和 飾）等人以及小偷將遭遇人面犬、花子等傳說中的惡靈。百鬼夜行，恐怖之夜拉開序幕…… 本片根據(jù)常光徹的同名小說改編。
