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備注：已完結(jié)
類(lèi)型：恐怖片
主演：An?elka Prpi? 盧博米爾 班多維奇 Janko Popov
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Six years after her husband, a prominent Belgrade lawyer, died in a fire, Anja Kolar receives information that makes her question everything she thought she knew about the accident and about her own family as well. At the same time the sudden death of his best friend's daughter draws police inspector Dejan Strbac into a whirlpool of crimes, starting with the mysterious disappearance of a young female lawyer, which took place six years earlier.
備注：已完結(jié)
類(lèi)型：恐怖片
主演：皮特·藍(lán)薩尼 古斯塔沃·加爾松 索菲亞·哥拉 法碧安娜·坎蒂諾 赫拉多
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：年輕女演員排練了一個(gè)與人口販賣(mài)相關(guān)的劇目，結(jié)果真切地體驗(yàn)到了劇中的恐怖情景。這究竟是夢(mèng)境，還是另一種現(xiàn)實(shí)？
備注：已完結(jié)
類(lèi)型：恐怖片
主演：保羅·辛普森 大衛(wèi)·卡拉丁 烏多·基爾 諾曼·瑞杜斯 比利·德拉戈 M
導(dǎo)演：保羅·辛普森
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：A Medieval Knight resurrects to fulfill his vow and bestow a blood-thirst vengeance upon the kindred spirits of those who betrayed him long ago. In the course of one night, identities will be revealed, destinies met, and a poetic justice of the macabre maniacally served. Here lies a tale of passion, loyalty, deceit, betrayal...and revenge. They were Warriors. They were Crusaders. Under the leadership of the righteous GREGOIRE, this band of brothers in the Holy Order of the Knights Templar selflessly fought back-to-back, defending GOD and the "True Cross." Until one dark night of utter betrayal... Glorious was their victory that night, gold their find. The spoils were to be taken to their Grandmaster for use in furthering their "Cause." Yet greed had infected one of their number - RENAULT - and under the influence of the demon of lust, he embraced and fiendishly persuaded others to help him carry out his nefarious plan of betrayal. Among those whose hearts he blackened was the already resentful MENAS, envious of his brother MELKON, the man famed as being both the greatest swordsman in all of Europe and the right hand of Gregoire. The following morning Renault's heinous plot went into effect and Gregoire, Melkon and their beloved steward KOKO were ambushed and executed for purposes of greed. But as he lay dying, Gregoire vowed his revenge. Ten lifetimes of excess Renault and his murdering compatriots would enjoy. And then he would return to deliver their souls to Hell for all of eternity. Ten lifetimes of excess... The centuries pass and after 700 years, the allotted time of the evildoers nears culmination. One dark, stormy night, the Crusader, upon his steed, resurrects to execute his pledge of vengeance upon the now kindred spirits of those who victimized him so very long ago. The stage is set for retribution as an eclectic group assembles at a secluded manor home under the guise of a promised "fantasy weekend" to fulfill personal desires. JAKE, the "events coordinator" will have his hands full playing host to his young guests; CELINE, the alluring and promiscuous Eastern-European, ASHLEY, the contemptuous yet beautiful socialite, AMY, the innocent and meek girl-next-door, HURCOS, the predatory Middle-Eastern playboy, and JAPONIKO, the uninvited and mysterious Asian minimalist. SHAUNA, the abrasive Irish cook, and her cohort in crime BENOIT, the bone-idle English caretaker, along with the enigmatic PRIEST and the benevolent SHOPKEEPER, round out this unusual and extremely colorful cast of characters. Jake assigns the position of assistant recreational coordinator to Amy, and as she reads from an obscure storybook, the tale of Gregoire and his righteous band of Templar Knights animates, and the story of betrayal is reenacted for the guests. Blood will flow excessively as the cursed and unsuspecting kindred spirits meet their imminent destinies one-by-one during the Crusader's maniacal reprisal.
備注：已完結(jié)
類(lèi)型：恐怖片
主演：Margit Evelyn Newton 佛朗哥·加羅法洛 Selan
導(dǎo)演：Bruno Mattei Claudio Fragasso
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：在新幾那亞有一個(gè)島上，因?yàn)榛瘜W(xué)工廠(chǎng)實(shí)驗(yàn)的關(guān)係，造成廠(chǎng)內(nèi)死老鼠復(fù)活，并在咬傷工作人員后，造成該實(shí)驗(yàn)大樓變成僵尸橫行。4個(gè)SWAT隊(duì)員，集體到新幾內(nèi)亞調(diào)查案發(fā)經(jīng)過(guò)，到一個(gè)小鎮(zhèn)后，碰到一群採(cǎi)訪(fǎng)事故原因的記者，結(jié)果他們當(dāng)中，有一個(gè)小孩被殭尸咬了一口，小孩在車(chē)上躺在他父親懷裡休息時(shí)，有人開(kāi)車(chē)門(mén)發(fā)現(xiàn)，小孩已變成僵尸，正在吃他父親內(nèi)臟；在教堂內(nèi)，也發(fā)現(xiàn)神父已變僵尸；他們到達(dá)當(dāng)?shù)赝林柯鋾r(shí)，也發(fā)生僵尸吃土著的事件。經(jīng)過(guò)一連串的逃命后，最后他們來(lái)到那棟實(shí)驗(yàn)大樓，終于發(fā)現(xiàn)是實(shí)驗(yàn)事故毒氣外洩結(jié)果導(dǎo)造成僵尸，最后當(dāng)然是包括男女主角在內(nèi)都未能倖免于難。 本片導(dǎo)演Bruno Mattei在幕后花絮中說(shuō)，本片參雜了《Dawn of the Dead》的一些影子，比方殭尸出現(xiàn)時(shí)總是一大群，還有要打頭才會(huì)死。場(chǎng)景主要是在叢林與部落跟工廠(chǎng)。本片中一開(kāi)頭即說(shuō)明造成殭尸的原因。另外本片雖然場(chǎng)景是在新幾內(nèi)亞，但一看就知道部份是合成的。應(yīng)該是在歐洲拍攝的。還有這位導(dǎo)演原來(lái)還導(dǎo)了Rats(1984)以及參與Zombi3約40%的制作。本片血腥度十足，雖然現(xiàn)在看起來(lái)會(huì)覺(jué)得有點(diǎn)假，但在現(xiàn)在看時(shí)還是會(huì)覺(jué)得十分過(guò)癮。喜歡殭尸片又帶點(diǎn)腥膻色的人，可以考慮一看。 ======================================================== 一場(chǎng)意外發(fā)生于位在新幾內(nèi)亞叢林裡的一座化學(xué)工廠(chǎng)，外洩的化學(xué)毒物導(dǎo)致死尸復(fù)活，復(fù)活的死尸群起攻擊叢林裡的原始部落居民。一組記者巧遇另一組武裝特勤部隊(duì)，兩隊(duì)人馬在叢林中與遭遇部落民族，并于設(shè)法于僵尸群中逃出生路。 超惡搞的片子，列舉數(shù)個(gè)惡搞例子： 制作群不知從何搞來(lái)近似國(guó)家地理頻道紀(jì)錄片片段，新幾內(nèi)亞叢林裡的野生動(dòng)物與原始部落生活就這麼活生生又突兀地剪輯入這部殭尸電影。一群特勤人員其實(shí)只是開(kāi)著吉普車(chē)在西班牙鄉(xiāng)間小徑游蕩，只因剪接許多野生動(dòng)物紀(jì)錄片入戲，感覺(jué)好像身處新幾內(nèi)亞叢林。不過(guò)，其實(shí)剪接得挺粗糙地。 整組人馬路過(guò)一叢林部落，女主角一臉正經(jīng)得跳出來(lái)說(shuō)：”部落民族生性危險(xiǎn)而不可測(cè)，姐姐有經(jīng)驗(yàn)，要安全通過(guò)只有一個(gè)方法，我必須走在前面，單獨(dú)地在前面…”。接著，冷不防，他就毫不遲疑的脫下上衣，露出美麗雙峰。又接著，看到姐姐臉畫(huà)成土著迷彩，只穿著樹(shù)葉比基尼，又走又跳地引領(lǐng)整組人馬通過(guò)部落。從沒(méi)看過(guò)如此徹底的為脫而脫，真是夠無(wú)厘頭。 某特勤隊(duì)員在一叢林小屋中穿起芭雷舞衣，跳了一段模仿Gene Kelly的Singing in the Rain，接著旋即變成殭尸攻擊的受害者。 號(hào)稱(chēng)是史上大濫片之一。完成拍攝只費(fèi)時(shí)5週。 其實(shí)： 是不錯(cuò)看的電影，該有的殭尸電影元素全具備，舉凡：殭尸小孩啃老爸，殭尸群分食受害人，受害伙伴回生加害同行伙伴，欲消滅殭尸必?fù)魵ь^部…等等，一應(yīng)俱全。 最血腥的一段昰： 女主角受害時(shí)，特寫(xiě)全在臉上，舌頭先被殭尸群拔出，接著手在嘴裡往上猛掏，掏得兩顆眼珠爆出，夠血腥。 后記： 名人導(dǎo)演Quentin Tarantino 在某處發(fā)表欣賞此片的談話(huà)，重新引發(fā)世人對(duì)此陳年舊片的注意。而此片導(dǎo)演Bruno Mattei，自己承認(rèn)已有多年未再看過(guò)這電影，只得重新翻出片子再次恢復(fù)記憶，才能體會(huì)為何昆汀塔倫提諾會(huì)喜愛(ài)此片。 此片導(dǎo)演Bruno Mattei的另一名作是1984年的《Rats Night of Terror》。
備注：已完結(jié)
類(lèi)型：恐怖片
主演：Clayton Boyd Jay Anstey Stevel Marc
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：這是一群美國(guó)年輕背包客到非洲旅行的故事，在發(fā)現(xiàn)了小屋廢棄已久之後，一切開(kāi)始不太對(duì)勁。為了在這充滿(mǎn)未知威脅的環(huán)境下生存下去，他們得學(xué)會(huì)合作且並肩對(duì)抗逆境。他們很快的發(fā)現(xiàn)了身處?kù)斗侵拮詈诎档牡胤剑仨殞W(xué)會(huì)提防未知的危險(xiǎn)，且不能相信任何除了自己之外的人，這趟旅程，讓他們學(xué)會(huì)別相信任何人...
備注：已完結(jié)
類(lèi)型：恐怖片
主演：James Ray Kevin Tye Sean G P Anders
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：圣誕前夕，11歲女孩佐伊·韋弗（艾米麗·亞哈伯曼 Amelia·Haberman飾）刻薄的養(yǎng)父母在自家雙雙被害，身體自燃燒成了焦炭，怪異案情讓警方束手無(wú)策。為查找線(xiàn)索，協(xié)助警方辦案同樣身為養(yǎng)母的兒童心理學(xué)家瑞秋·斯圖爾特（莫妮卡·恩格塞爾 Monica Engesser飾）和正受困于婚姻危機(jī)的警探邁爾斯·奧康納（詹姆斯·雷 James Ray飾）探訪(fǎng)了暫時(shí)安身兒科醫(yī)院的佐伊。在不斷接觸和調(diào)查中，瑞秋發(fā)現(xiàn)佐伊不僅古怪、陰郁以恐怖玩偶“圣誕惡魔krampus”作伴，還有不為人知的可怕過(guò)去?！ ‰S著自燃案件陸續(xù)發(fā)生，瑞秋意識(shí)到似乎一切都與女孩和她的玩偶有關(guān)，清算才剛剛開(kāi)始······
備注：已完結(jié)
類(lèi)型：恐怖片
主演：Marshall Thompson Shirley Patterson
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
