備注：已完結(jié)
類型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語言：其它
年代：未知
簡介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結(jié)
類型：愛情片
主演：SarahJessicaParker KimCattrall Kris
導(dǎo)演：MichaelPatrickKing
語言：英語
年代：未知
簡介：凱瑞（薩拉·杰西卡·帕克 Sarah Jessica Parker 飾）和夏洛特（克里斯汀·戴維斯 Kristin Davis 飾）的兩位同性好友，安東尼（馬里奧·坎通 Mario Cantone 飾）與斯坦福（威利·加森 Willie Garson 飾）終于成婚，而凱瑞與“大先生”（克里斯·諾斯 Chris North 飾）婚后卻不滿生活日漸平淡，二人矛盾漸生。全職媽媽夏洛特日夜擔(dān)心丈夫哈里（伊萬·漢德勒 Evan Handler 飾）會與青春洋溢的愛爾蘭保姆艾琳（愛麗絲·伊芙 Alice Eve 飾）出軌。律師米蘭達(dá)（辛西婭·尼克松 Cynthia Nixon 飾）不滿老板對女性的歧視，憤而辭職。就在此時，薩曼莎（金·凱特羅爾 Kim Cattrall 飾）應(yīng)阿聯(lián)酋酋長之邀，帶領(lǐng)三人出游中東的阿布扎比。在香料集市上，凱瑞重逢多年前的舊愛艾登（約...
備注：已完結(jié)
類型：喜劇片
主演：卡拉·索薩 K·C·克萊德 本·奧圖爾 何塞·馬利亞·亞茲皮克 Pat
導(dǎo)演：Catalina Aguilar Mastretta
語言：英語
年代：未知
簡介：On the surface, Clara Barron seems to have it all a job as an OB-GYN; a great house in LA; and a loving family. But, the one thing Clara doesn't have figured out is her love life. Pressured by a family wedding in Mexico, Clara asks a co-worker to pose as her boyfriend for the weekend festivities,- only to be caught by surprise when her ex- boyfriend (and family favorite) suddenly shows up after disappearing from her life completely. Torn, Clara must decide between going back to the past or open her heart to new and unexpected possibilities.
備注：已完結(jié)
類型：劇情片
主演：Kim Delaney .... Dr. Samantha Hill
語言：英語
年代：未知
簡介：本劇是NBC頗具震撼力的電視迷你短劇《10.5》（地動天驚）的續(xù)集和終結(jié)篇。在上一集中，強(qiáng)烈的地殼運動所引發(fā)的10.5級恐怖地震毀滅了美國西海岸，改變了地核結(jié)構(gòu)，直接威脅到到北美甚至整個西半球，造成了一系列連鎖災(zāi)害：夏威夷被海嘯吞沒，胡佛被摧毀，洛杉磯沉沒……《10.5 Apocalypse》（毀滅之日）的視覺效果達(dá)到了同類迷你劇中的高水準(zhǔn)?！ 榱苏雀嗟纳?、挽救國家，Hollister總統(tǒng)（扮演者：艾美獎和金球獎雙料明星Beau Bridges，SG-1 第九季中可愛的將軍）決定孤注一擲。他找來全國最頂級也是最有爭議的地震學(xué)家Samantha Hill博士（扮演者：艾美獎得主Kim Delaney）和她的上司兼前男友Jordan Fisher博士（扮演者：David Cubitt），評估最近一次地震所帶來的沖擊。Hill絞盡腦汁，沒辦法弄明白為什么會有持續(xù)不斷的地震和火山爆發(fā)，但她意外發(fā)現(xiàn)了也是地震學(xué)家的父親（扮演者：Frank Langella）多年前作出的一個難以置信的假設(shè)。如果這個假設(shè)正確，將會有更大的災(zāi)難到來，北美大陸也將徹底被改變：將被分割成兩塊獨立的大陸。
備注：已完結(jié)
類型：劇情片
主演：Martin Gjorgoski 丹尼茲·阿布杜拉 尼古拉·里斯坦諾夫
導(dǎo)演：瓦爾丹·托茲加
語言：其它
年代：未知
簡介：由瓦爾丹·托茲加編劇執(zhí)導(dǎo)，主要講述年輕人在犯罪道路上的經(jīng)歷。在一個由權(quán)力決定公平的國度，主人公菲利浦生活在青少年收養(yǎng)中心，在一個腐敗警察的脅迫下，他被迫參與了一次可怕的案件，因而產(chǎn)生無法痊愈的心理創(chuàng)傷。盡管菲利浦擁有其老師的幫助、收養(yǎng)中心的照料、朋友佩塔爾的安慰，他最終還是未能戰(zhàn)勝那次案件后的心理創(chuàng)傷帶給他的痛苦。痛苦吞噬了他的理智，產(chǎn)生復(fù)仇之念，致使他將更多年輕人拉入他殘酷命運的深淵。最終菲利浦通過其暴力、兇猛的手段，將迷失的年輕人帶進(jìn)了黑暗、暴力的犯罪世界。
備注：已完結(jié)
類型：劇情片
主演：艾迪·墨菲 祖德·萊茵霍爾德 約翰·阿什頓 莉莎·埃爾巴赫 羅尼·考克
導(dǎo)演：馬丁·布萊斯特
語言：英語
年代：未知
簡介：艾索（艾迪?墨菲 Eddie Murphy 飾）是底特律黑白兩道的大名人，身為警探，卻也不時干些偷雞摸狗的勾當(dāng)，而且他偵辦案件時經(jīng)常不按程序辦事，上司對他十分頭痛。這天，艾索因為敲詐煙販而差點被開除出去，幸虧好運氣才免遭于難。 艾索偶遇了一位剛出獄的好友，這人帶著巨額的德國債券來到了底特律。兩人重逢后不久，艾索的這位朋友就被謀殺了。深諳此事不簡單，艾索開始了調(diào)查。他獨自一人追蹤嫌疑人維克多來到了好萊塢的比佛利山，正當(dāng)他準(zhǔn)備上前盤問時，卻被當(dāng)?shù)鼐鞄Щ亓司帧．?dāng)艾索調(diào)查得悉維多克的確在販毒時，當(dāng)?shù)氐木L同意介入調(diào)查，卻將艾索打發(fā)回老家。艾索只好勸說當(dāng)?shù)氐囊幻瘑T比利（祖德?萊茵霍爾德 Judge Reinhold 飾）和他合作，兩人開始了私自調(diào)查。
備注：已完結(jié)
類型：劇情片
主演：Michael Boatman 唐·錢德爾 迪倫·麥克德莫特 Tim
導(dǎo)演：約翰·伊文
語言：法語
年代：未知
簡介：這是一部典型美國英雄主義的影片。越戰(zhàn)期間，許多像文森（安東尼?巴里奧 Anthony Barrile 飾）一樣的懷有參戰(zhàn)理想或各種不得不參戰(zhàn)原因的年輕人來到了空降師，他們雖然同屬一支部隊，但是由于當(dāng)時種族歧視盛行，部隊里的氣氛并不是那么和諧。 這天，空降師接到了一個任務(wù)，就是攻占阿士谷937山丘。當(dāng)文森所在的空降部隊降落到指定地點時，他們發(fā)現(xiàn)防守的北越軍隊在這里已經(jīng)整裝待發(fā)。于是，一場異常艱巨的拉鋸戰(zhàn)打響了。北越軍人數(shù)上占了很多優(yōu)勢，美軍傷亡慘重，但為了完成任務(wù)，原本互相心存芥蒂的不同人種的美軍士兵都拋開了以往一切成見，齊心協(xié)力一起往上攻。經(jīng)過了11次的攻擊，他們終于占領(lǐng)了937山丘。因這里已經(jīng)尸橫遍野，所以士兵們稱之為“漢堡高地”。
備注：已完結(jié)
類型：劇情片
主演：英格麗·圖林 古內(nèi)爾·林德布洛姆 約根·林德斯特倫 霍坎·揚貝里 比耶
導(dǎo)演：英格瑪·伯格曼
語言：其它
年代：未知
簡介：戰(zhàn)爭陰影還沒消散的歐洲，翻譯家、知識分子Ester（英格里德?圖林）與妹妹Anna（岡內(nèi)爾?林德布洛姆）以及Anna的兒子Johan一起坐火車回瑞典。途中，患有晚期肺病的Ester發(fā)病，三人于一個言語不通的小城下車，住進(jìn)一家老賓館?！ ster有意無意間總想偷窺Anna的生活，想對她表示好感卻無從下手，而Anna一心認(rèn)為Ester是她的束縛。某晚，Anna外出結(jié)識一名酒保，返回賓館后將幻想中的性愛的過程和刺激描述給Ester聽，引起對方的激烈反應(yīng)，隨后，她與酒保在Ester眼皮底下做愛，終引起Ester爆發(fā)，多年來深藏在兩人心中的、夾雜著嫉恨與沖突的往事被重提。
