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備注：已完結(jié)
類型：劇情片
主演：David Wayman Sharlit Deyzac Dee Tai
語言：英語
年代：未知
簡介：Alex is a shy accountant living in London. He is reluctant to step out of his comfort zone, but when he falls in love with an adorable French artist named Penelope, he pretends to be a talented artist himself; and now he needs to win a Modern Art contest to prove it.
備注：已完結(jié)
類型：喜劇片
主演：馬雷克·孔德拉特 雅尼娜·特拉奇克納 安德烈·格拉博夫斯基 Micha
導(dǎo)演：馬雷克·科特斯基
語言：其它
年代：未知
簡介：強(qiáng)迫男的一天
備注：已完結(jié)
類型：劇情片
主演：薇洛·西爾德斯 洛奇林·莫羅 伊麗莎白·米切爾 Jonathan si
導(dǎo)演：Connie Cocchia
語言：英語
年代：未知
簡介：艾比一家原本在小鎮(zhèn)過著平靜的生活，“工作超量的爸爸”、“壓力重積”的媽媽、患有自閉癥的弟弟，日子緊緊巴巴但一家人也相親相愛。來自加州的大學(xué)錄取通知書讓艾比歡喜又憂愁，她為追夢不得已與家人分開，而如何照顧弟弟則變成了全家最大的難題。
備注：已完結(jié)
類型：劇情片
主演：John Matton Linnea Larsdotter Emrhy
導(dǎo)演：Bank Tangjaitrong
語言：英語
年代：未知
簡介：艾瑞克（約翰·馬特森 Johan Matton 飾）是一名作家，有一個(gè)固定的伴侶喬娜（Linnea Larsdotter 飾），兩人之間的感情十分深厚。艾瑞克和喬娜踏上了前往泰國的旅途，然而這段本該充滿了歡樂和幸福的旅程卻被爭吵與悲傷所代替。一氣之下，艾瑞克和喬娜決定分頭行動(dòng)?！ ≡诼猛局?，喬娜邂逅了名為大衛(wèi)（埃姆雷斯·庫珀 Emrhys Cooper 飾）的男子，大衛(wèi)曾是喬娜青梅竹馬的玩伴，這意外的重逢讓喬娜回憶起了過去的往事。那邊廂，艾瑞克遇見了三個(gè)背包客杰米（Timothy-Ryan O'Kane 飾）、塞西爾（Elly Han 飾）和米蘭達(dá)（Astrea Campbell-Cobb 飾），四人結(jié)伴而行。在分開的這段時(shí)間里，發(fā)生的種種意外讓艾瑞克和喬娜開始重新思考起了他們兩人之間的關(guān)系。
備注：已完結(jié)
類型：劇情片
主演：貝利·赫維內(nèi)加拉德 馬克斯·馮·敘多夫 埃里克·帕斯卡 比約恩·格拉納
導(dǎo)演：比利·奧古斯特
語言：丹麥語 / 瑞典語
年代：未知
簡介：故事發(fā)生在十九世紀(jì)末北歐，混亂的局勢衰頹的經(jīng)濟(jì)令人民們陷入了民不聊生的境地。農(nóng)民拉斯卡森（馬克斯·馮·西多 Max von Sydow 飾）帶著兒子佩爾（貝利·赫維內(nèi)加拉德 Pelle Hvenegaard 飾）來到丹麥，希望能夠在這里依靠自己的雙手掙得更體面的生活?！ ∪欢?，現(xiàn)實(shí)卻遠(yuǎn)不如想象中那么美好，父子兩人好不容易在農(nóng)莊里找到了一份清理馬廄的工作，無處可去的兩人只能和馬只一起睡在茅草堆上，白日里還要受到雇主的責(zé)難和剝削，生活苦不堪言。長工埃里克（比約恩·格拉納特 Bj?rn Granath 飾）積極的領(lǐng)導(dǎo)工人們同壓迫他們的管家作斗爭，埃里克的自由精神深深鼓舞了佩爾，使他決定離開莊園，開拓新的天地。
備注：已完結(jié)
類型：劇情片
主演：拉多萬·盧卡夫斯基 古斯塔夫·瓦拉赫 艾米麗婭·瓦薩約娃 威廉·波洛尼
導(dǎo)演：愛德華·格萊納
語言：其它
年代：未知
簡介：與Stefan Uher和Elo Havatta一樣，Eduard Grecner也是60年代斯洛伐克新浪潮電影的締造者之一。他的三部影片《一周七天》（1964）《尼絨月亮》（1965）和這部《徳拉克的回歸》都是斯洛伐克新浪潮電影的代表作。這部敘事方法獨(dú)特帶有明顯意識(shí)流風(fēng)格的黑白影片甚至間接影響到了后來法國導(dǎo)演格里耶在捷克拍攝的兩部影片《說謊的人》和《Eden and After》?！ special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
備注：已完結(jié)
類型：劇情片
主演：埃迪·康斯坦丁 漢斯·齊施勒 克勞迪亞·米歇爾森 Nathalie K
導(dǎo)演：讓-呂克·戈達(dá)爾
語言：法語
年代：未知
簡介：Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.
備注：已完結(jié)
類型：劇情片
主演：Choi Eun-Hee Byeon Ki-Jong Yoo Min
導(dǎo)演：尹龍奎
語言：韓語
年代：未知
簡介：Synopsis Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her. Notes A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea. A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles. Afterword - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
備注：已完結(jié)
類型：劇情片
主演：拉杰·肯南 阿米達(dá)普·巴強(qiáng) RameshDeo AsitSen Lal
導(dǎo)演：西里斯科什·慕克吉
語言：印度語
年代：未知
簡介：Anand (Rajesh Khanna飾)，一個(gè)癌癥末期的病人，卻活得問心無愧，不像其他抑郁和絕望病人，他享受著余下生命的每一刻。他的醫(yī)生Bhaskar (Amitabh Bachchan飾)，被人們親熱地稱呼為Moshai先生，他的精神擁有著令人驚訝的力量，以自己的方式讓周圍的人了解生命的意義?？墒?，Bhaskar卻對Anand的病無能為力… 《Anand》成功塑造了一個(gè)勇敢面對死亡的人，這是一部令人感動(dòng)的電影。該片在1972年的 Filmfare Awards頒獎(jiǎng)典禮上獲得六個(gè)獎(jiǎng)項(xiàng)，包括最佳男主角（Rajesh Khanna）、最佳男配角（Amitabh Bachchan）、最佳對白（Sampooran Singh Gulzar）、最佳編?。℉rishikesh Mukherjee）、最佳影片（Hrishikesh Mukherjee，N.C. Sippy）、最佳劇情（Hrishikesh Mukherjee）。
