溫馨提示：歡迎訪問(wèn)
請(qǐng)記住網(wǎng)址：l5vrgs.cn，感謝網(wǎng)友的支持！提供最新高清電影熱播電視劇在線觀看，為廣大用戶免費(fèi)提供在線觀看電影和電視劇服務(wù)。
備注：已完結(jié)
類型：動(dòng)作片
主演：丁咚·丹尼斯 約翰·阿基拉 Al Tantay Janno Gibbs
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：本片是2014年爆款動(dòng)作片《走到盡頭》的菲律賓翻拍版。講述警察愛德蒙·威廉在匆忙奔喪的路上意外撞人，隨后卷入被敲詐勒索的危險(xiǎn)局面。在動(dòng)作片領(lǐng)域有專攻的菲律賓導(dǎo)演勞倫斯·法哈多，在本片中對(duì)節(jié)奏拿捏精準(zhǔn)，不僅故事環(huán)環(huán)相扣驚險(xiǎn)刺激，室內(nèi)打斗動(dòng)作更是迅猛凌厲，讓觀眾腎上腺素飆升。他還為影片加上了大量本土化背景，以犯罪片的形式對(duì)某些社會(huì)現(xiàn)象作出了批評(píng)。
備注：已完結(jié)
類型：喜劇片
主演：Alec Guinness Irene Browne Lionel J
導(dǎo)演：查爾斯·弗倫德
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Captain Ambrose comes from a long line of distinguished sailors...but is all too susceptible to seasickness. After the war, he buys himself a nautical command on shore; a decrepit amusement pier at the British resort town Sandcastle-on-Sea, whose prim town council has outlawed arcade games as a form of gambling! Running the pier like a naval vessel, the captain's determination to make it a modern, going concern meets steady opposition. But with an unexpected new ally, he pursues a remarkable scheme to liberate his ship from land authorities...
備注：已完結(jié)
類型：喜劇片
主演：蘇菲·瑪索 克麗絲塔·特瑞特 杰瑞米·卡彭 Marion Chabas
導(dǎo)演：麗薩·阿祖洛斯
語(yǔ)言：法語(yǔ)
年代：未知
簡(jiǎn)介：和許多處于青春期的少女一樣，羅拉（克麗絲塔·特瑞特 Christa Theret 飾）覺得自己的生活糾結(jié)成了一團(tuán)亂麻。不僅僅是男友亞瑟（菲利克斯·穆阿提 Félix Moati 飾）的三心二意讓她十分憤怒，她和母親安娜（蘇菲·瑪索 Sophie Marceau 飾）之間的問(wèn)題也似乎永遠(yuǎn)都得不到解決。然而，對(duì)于安娜來(lái)說(shuō)，獨(dú)自撫養(yǎng)一個(gè)個(gè)性叛逆而倔強(qiáng)的女兒究竟有多么辛苦只有她自己心里清楚，同時(shí)，在漸漸變得冷漠而陌生的女兒面前，安娜又何嘗不是一個(gè)初出茅廬的“初學(xué)者”呢?！ 『迷谑虑榈倪M(jìn)展?jié)u漸有了轉(zhuǎn)機(jī)，在一連串的誤解和矛盾中，母女二人之間的堅(jiān)冰也在慢慢的溶解，當(dāng)安娜和羅拉各自站在對(duì)方的角度來(lái)看待她們之間所發(fā)生的一切時(shí)，整個(gè)世界發(fā)生了翻天覆地的變化。
備注：已完結(jié)
類型：喜劇片
主演：巴巴拉·戈納加 ZorionEguileor LanderOtaola
導(dǎo)演：本·夏羅克
語(yǔ)言：巴斯克語(yǔ) / 西班牙
年代：未知
簡(jiǎn)介：囿于經(jīng)濟(jì)危機(jī)給西班牙帶來(lái)的困境，一對(duì)身無(wú)分文的年輕情侶無(wú)法“離巢”。同時(shí)兩個(gè)菜鳥還要學(xué)會(huì)如何在家庭束縛下，處理好彼此的感情這一惱人問(wèn)題。他們對(duì)發(fā)生關(guān)系日益絕望的時(shí)候，開始著手尋找在年輕人中受歡迎的公共性場(chǎng)所。然而事情并非如想象中簡(jiǎn)單，他們?cè)噲D打破經(jīng)濟(jì)危機(jī)的枷鎖的時(shí)候，關(guān)系也受到了考驗(yàn)。
備注：已完結(jié)
類型：喜劇片
主演：迪恩·馬丁 杰瑞·劉易斯 波莉·伯根 Marion Marshall
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：BillMillerisanunsuccessfulBroadwayperformeruntilhishandlersconvincehimtoenhancehisactwithastooge-TedRogers,aguypositionedintheaudiencetobethebuttofBill'sjokes.ButTedbeginstostealtheshow.Bill'sgirlfriendandhispalstellhimtomakeTedanequalpartner.Complicationsoccur,whileBillsingsandTedgetsthelaughs.
備注：已完結(jié)
類型：科幻片
主演：Margarete Sch?n Theodor Loos Paul B
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
