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備注：已完結(jié)
類型：恐怖片
主演：AnthonyMisiano RebeccaLovett TiaLin
導(dǎo)演：PaulChau
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：為了不讓女兒被惡魔附身，一對(duì)夫婦展開了逃亡的戰(zhàn)斗。 A couple on the run battle to save their daughter from possession by a demon.
備注：已完結(jié)
類型：恐怖片
主演：德克·博加德 西爾維婭·西姆斯 丹尼斯·普萊斯 安東尼·尼科爾斯 彼得
導(dǎo)演：巴茲爾·迪爾登
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：同志電影史最重要的作品之一，它不只是第一部直接道出‘同性戀’字眼的英語(yǔ)片，更勇于碰觸性取向成為被抹黑、勒索和恐懼的社會(huì)現(xiàn)實(shí)。在同志電影多如過(guò)江之鯽的今日，它的直陳無(wú)礙更顯難得。英國(guó)紅星狄鮑嘉也在突破形象后，日后毫無(wú)忌憚地演出維斯康堤、法斯賓達(dá)的電影。當(dāng)年囿于英國(guó)電檢而消失的十分鐘，也將以全新數(shù)位修復(fù)拷貝，忠實(shí)重現(xiàn)。
備注：已完結(jié)
類型：恐怖片
主演：安伯·明迪桑德 布萊特·季默曼 克里斯·勃朗寧 克勞迪婭·費(fèi)里 Wal
導(dǎo)演：MichaelCiville
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：被一個(gè)蔑視的情人折磨并留下來(lái)死去，一個(gè)女人發(fā)現(xiàn)自己內(nèi)心的力量可以恢復(fù)并對(duì)她的施虐者進(jìn)行報(bào)復(fù)。
備注：已完結(jié)
類型：恐怖片
主演：Clayton Boyd Jay Anstey Stevel Marc
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：這是一群美國(guó)年輕背包客到非洲旅行的故事，在發(fā)現(xiàn)了小屋廢棄已久之後，一切開始不太對(duì)勁。為了在這充滿未知威脅的環(huán)境下生存下去，他們得學(xué)會(huì)合作且並肩對(duì)抗逆境。他們很快的發(fā)現(xiàn)了身處?kù)斗侵拮詈诎档牡胤?，必須學(xué)會(huì)提防未知的危險(xiǎn)，且不能相信任何除了自己之外的人，這趟旅程，讓他們學(xué)會(huì)別相信任何人...
備注：已完結(jié)
類型：恐怖片
主演：Marshall Thompson Shirley Patterson
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
