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備注:已完結(jié)
類型:劇情片
主演:嶺清 武田家輝 紅桃 阮清秀 阮黃嬌貞 紅映 蘇鄧氏善 ThiKieu
導(dǎo)演:鄭霆黎明
語言:越南語 / 英語
年代:未知
簡(jiǎn)介:為了父親的移墓,定居美國(guó)長(zhǎng)達(dá)九年的阿棕,睽違許久回到家鄉(xiāng)。他帶了伊恩一起回來,但全家族并不知道伊恩正是阿棕的男友,而此趟阿棕也正打算與母親出柜。長(zhǎng)久以來,母親一直希望阿棕能夠早點(diǎn)成家,讓她可以抱孫子,就跟所有平凡的家庭一樣。阿棕一直找不到最適當(dāng)?shù)臅r(shí)機(jī)開口,就在此時(shí),他意外得知母親罹患重病的消息……
備注:已完結(jié)
類型:劇情片
導(dǎo)演:薩菲·奈布
語言:法語 / 俄語 /
年代:未知
簡(jiǎn)介:為了滿足自由的需要,泰迪決定遠(yuǎn)離世界的喧囂,獨(dú)自沉浸在貝加爾湖冰凍的河岸上 一天晚上,在暴風(fēng)雪中迷失了,他被阿勒克塞(Aleksei)救了出來,這位俄羅斯人一直躲藏在西伯利亞森林里多年。在這兩個(gè)反對(duì)一切的人之間,友誼將作為必不可少的情感突然而生。
備注:已完結(jié)
類型:劇情片
導(dǎo)演:AaronWilson
語言:英語
年代:未知
簡(jiǎn)介:戰(zhàn)時(shí)一個(gè)澳大利亞空降兵意外降落在新加坡叢林里,他必須想盡辦法逃脫……
備注:已完結(jié)
類型:劇情片
主演:喬治·馬沙爾 露西婭·波塞 朱利安·貝爾托 讓-雅克·德爾伯 西蒙娜·
導(dǎo)演:路易斯·布努埃爾
語言:法語
年代:未知
簡(jiǎn)介:受聘與某個(gè)地中海小島上的一家工廠,巴萊里奧(馬沙爾)慷慨地為工人和農(nóng)民提供服務(wù)。他的妻子安赫拉(博爾熱)因?yàn)樯窠?jīng)問題回到歐洲大陸修養(yǎng)。巴萊里奧和魅力的克拉拉(博塞)產(chǎn)生了感情。巴萊里奧的一位工人朋友山德羅(埃斯波西托)殺死了無情的工頭,因?yàn)閷?duì)方間接地導(dǎo)致了他妻子的死。巴萊里奧把山德羅藏在家里。警察頭子法薩諾(貝爾托)開始追捕山德羅。安赫拉和她的父親與巴萊里奧斷絕了關(guān)系,因?yàn)樗谷话右晃粴⑷朔浮I降铝_為了不連累巴萊里奧爾離開,被警察抓住后自殺。一直設(shè)法幫助山德羅逃跑的巴萊里奧因此感到十分氣憤。他拒絕與法薩諾握手,在克拉拉和三個(gè)工人朋友陪伴下離開。
備注:已完結(jié)
類型:劇情片
主演:維克多·崔 Marina Smirnova 彼得·馬莫諾夫 亞歷山大·
導(dǎo)演:拉希德·努格馬諾夫
語言:俄語
年代:未知
簡(jiǎn)介:In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.