備注：已完結(jié)
類型：恐怖片
主演：Emanuele De Santi Valeria Sannino C
導演：Emanuele De Santi 朱里奧·德·桑蒂斯
語言：其它
年代：未知
簡介：影片情節(jié)設置在一個叫作天堂谷的虛構(gòu)國度，一個男人叫做亞當卓別林的故事。亞當在他的妻子死后發(fā)現(xiàn)她的死因非?？梢?，于是他開始調(diào)查妻子的死，之后他發(fā)現(xiàn)妻子的死和當?shù)氐暮趲屠洗蟮つ崂聿槠澯嘘P(guān)。但是警察對黑幫老大無可奈何，因為他擁有顛倒是非黑白的能力。被仇恨占據(jù)了的亞當，召喚了一個擁有超人的黑暗力量的惡魔。惡魔跟隨亞當出行，并承諾將帶亞當找到兇手，但是前提條件是亞當必須按照他說法去行事。這一邊，丹尼理查茲也讓他兩個殘暴的兒子本和德里克，以及他的雇傭殺手們?nèi)Ω秮啴?。血腥的?zhàn)斗一觸即發(fā)。
備注：已完結(jié)
類型：恐怖片
主演：Andrew Prine Manuela Thiess
語言：英語
年代：未知
簡介：Three showgirls on their way to Las Vegas have car trouble and are stuck all night out in the desert. The next morning cheerful Andre offers them help in fixing their car. However, Andre is really a maniac with a lot of family problems; his mother ran out on him when he was a child so now he keeps kidnapped women chained up in his barn and trains them to perform circus tricks.
備注：已完結(jié)
類型：劇情片
主演：薩曼莎·波斯卡瑞諾 IreneChiang DevinCrittend
導演：大衛(wèi)·杰克遜
語言：英語
年代：未知
簡介：A high school student whose father and sister were recently murdered begins her own investigation after two of her fellow cheerleaders are kidnapped. She sets out on a rescue mission, but the killer may already be hot on her [email protected]
備注：已完結(jié)
類型：恐怖片
主演：西奧多·布盧科斯 克里斯汀·米歇爾·鄧西爾 勞倫·A·肯尼迪 娜塔莉·
語言：英語
年代：未知
簡介：在一次萬圣節(jié)鬼屋之旅的五個晚上，一場莫名其妙的故障導致15名游客和工作人員死亡，一位紀錄片攝制組又回到悲劇現(xiàn)場，去發(fā)現(xiàn)究竟發(fā)生了什么。
備注：已完結(jié)
類型：恐怖片
主演：丹尼爾·吉里斯 艾瑞克·托馬森 米麗亞瑪麥克道爾 MatthiasLu
導演：詹姆斯·阿什克羅夫特
語言：英語
年代：未知
簡介：當一對無情的流浪漢帶著他和他的家人去惡夢般的公路旅行時，一位學校老師被迫面對他過去的殘酷行為。
備注：已完結(jié)
類型：恐怖片
主演：Marshall Thompson Shirley Patterson
語言：英語
年代：未知
簡介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
