備注：已完結
類型：劇情片
主演：Artúr Somlay Miklós Gábor Zsuzsa Bá
語言：其它
年代：未知
簡介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
備注：已完結
類型：劇情片
主演：Gabriel Araújo Gabriel Archanjo Ana
語言：其它
年代：未知
簡介：昆汗比比(Cunhambebe)是印第安塔穆約(Tamoyo)部落武裝反抗葡萄牙人的同盟領袖，這個部落現(xiàn)今分布于里約熱內(nèi)盧至圣保羅之間。根據(jù)死里逃生的Cunhambebe俘虜海員施塔登(Hans Staden)的回憶錄描述，圖皮南巴(Tupinambá)族人是食人族，兇殘而且好斗?！ ?555年法國入侵里約熱內(nèi)盧，塔穆約部落與葡萄牙人聯(lián)合抗擊法國。 由于戰(zhàn)爭的持續(xù)，傳教士José de Anchieta 和Manuel da Nóbrega發(fā)現(xiàn)了巴西東南面的一個小村皮拉蒂寧卡村（aldeia de Piratininga），此后此處逐漸發(fā)展成為了今天的圣保羅。因為Anchieta能夠流利的使用圖皮語，兩人之后進入了Cunhambebe的部族中，并與其達成了一系列協(xié)議。1567年，在烏巴圖巴(Ubatuba)，他們與Cunhambebe簽訂了Iperoig條約，條約的簽署使得巴西落入葡萄牙人的手中，而且在當?shù)刂辉试S使用葡萄牙語和信奉天主教。在16世紀以前，當?shù)氐膱D皮人一直都是奴隸。 這部電影講述的便是1594年葡萄牙騎士Estácio de Sá(1520-1567) 試圖驅(qū)逐法國殖民者，在此之際，由于塔穆約部落的仇敵圖皮金人(Tupiniquins)站在葡萄牙人一方，他們感到背叛，于是開始支持法國人。 一位法國人Arduíno Colassanti被圖皮南巴俘獲。雖然他已自稱是法國人，但審判仍判定他是來自葡萄牙，懲罰他為奴隸。Seboipepe的丈夫死于葡萄牙人之手，于是他們結婚，希望得到神靈的復仇?！ ‰S后，在一場戰(zhàn)役中他用葡萄牙人留下的大炮擊敗了圖皮金人，為了慶祝這一勝利，圖皮南巴人決定把他吃掉……
備注：已完結
類型：劇情片
主演：讓·迦本 弗朗索瓦·阿努爾 瑪麗亞·費力克斯 Anna Amendol
導演：讓·雷諾阿
語言：法語
年代：未知
簡介：亨利（讓·迦本 Jean Gabin 飾）經(jīng)營著一家夜總會，進行一些下流艷俗的表演，擅長跳肚皮舞的勞拉（瑪麗亞·費力克斯 María Félix 飾）是臺柱一般的存在。不景氣的經(jīng)濟和亨利的不善經(jīng)營很快就讓夜總會來到了瀕臨破產(chǎn)的邊緣，就在這個節(jié)骨眼上，亨利認識了平凡的洗衣女工妮妮（弗朗索瓦·阿努爾 Fran?oise Arnoul 飾），在妮妮的身上，亨利看到了過人的天賦，并且開創(chuàng)了“康康舞”這一前所未有的舞蹈形式。憑借著康康舞，亨利的夜總會再度紅火了起來，然而勞拉和妮妮之間日積月累的矛盾卻在開業(yè)的那一天徹底爆發(fā)。之后，一位親王愛上了妮妮，打算給夜總會投資，可眼紅的勞拉卻破壞了這樁生意。
備注：已完結
類型：劇情片
主演：伊夫·蒙當 艾琳·帕帕斯 讓-路易·特蘭蒂尼昂 弗朗索瓦·佩里埃 雅克
導演：科斯塔-加夫拉斯
語言：法語,俄語,英語
年代：未知
簡介：本片講述在軍事政權創(chuàng)獨裁體制的南歐某國（影射希臘），反對政府的在野黨領袖Z先生在一次演講中遭人暗殺，政府當局公布是意外車禍而死，對這理由不能置信的人們強烈要求查明真相。從Z先生的同事那兒打聽到種種跡象的檢察官決定抵抗政治壓力追查到底，終于發(fā)現(xiàn)這是一宗有計劃的政治謀殺，并牽扯出許多政界的大人物?？墒呛髞頎可孢@件命案的人不是被流放就是被處以徒刑或是被殺。加斯華憑借此片一舉成名，并開啟了政治黑幕片的新風暴。
備注：已完結
類型：劇情片
主演：卡特琳娜·格蘭厄姆 Katerina Graham 賽切兒·加布埃爾
語言：英語
年代：未知
簡介：十七歲的瑪利亞（卡特琳娜·格蘭厄姆 Kat Graham 飾）剛剛被少管所釋放，回到了故鄉(xiāng)，在那里，她決定開始新的生活。某日，瑪麗在機緣巧合之下來到了哈尼丹尼爾斯教授的舞蹈工作室，熱愛跳舞的她很快就在那里找到了屬于自己的舞臺?！ 〔继m頓（蘭迪·韋恩 Randy Wayne 飾）注意到了隱藏在瑪利亞身上的激情和天賦，于是邀請她和他一起訓練HD舞蹈隊。與此同時，瑪利亞的前男友路易斯（Christopher 'War' Martinez 飾）回到了瑪利亞的身邊，亦向她拋出了橄欖枝，然而，瑪利亞不希望重蹈覆轍，她拒絕了路易斯。在布蘭頓和瑪利亞的帶領下，HD舞蹈隊參加了電視舞蹈大賽，而將要同他們同臺競技的，恰恰是路易斯和他手下的隊伍。
備注：已完結
類型：喜劇片
主演：馬塞洛·馬斯楚安尼 安妮塔·艾克伯格 阿努克·艾梅 伊馮·弗奴克絲 瑪
導演：費德里科·費里尼
語言：意大利語 / 英語
年代：未知
簡介：馬切羅（馬塞洛?馬斯楚安尼 Marcello Mastroianni 飾）是某雜志的專欄記者，他曾試圖成為一名作家但是事與愿違，只得終日為明星緋聞奔忙。馬切羅經(jīng)常出席一些社會名流的交際酒會，于是他暗自和攝影師勾搭，設計拍攝明星隱私然后公諸于眾。馬切羅有一個女友元瑪，在送 她回家的途中，搭乘了一位妓院老鴇，后者對他講述了很多風月場中的軼事，這讓他對名利場更加厭惡。在基督教的某個儀式上，一位從美國來的名?？偸菍χ襟w搔首弄姿，后來馬切羅的批評家朋友斯泰納一針見血指出了她的虛偽之處，這讓他逐漸認清了上流社會的腐朽，并開始重新審視自己的生活。他發(fā)現(xiàn)自己并不熱衷奢華的生活，而且對于那個自以為是的元瑪也并不滿意，并進行了我行我素的反抗……
