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備注：已完結(jié)
類型：劇情片
主演：Andrea Amato Francesco De Miranda C
語(yǔ)言：其它
年代：未知
簡(jiǎn)介：16 year old Rocco's two aims in life are to get laid and to see his favourite pop star in concert with his best friends, sassy and tomboyish Maria and nerdy and quiet Mauri. When a bullying incident at school forces Rocco to come out to his divorced middle-class parents their liberal leanings are severely tested. Luckily his two friends stand by him and join him in running away from home (in his parents stolen car) to see their favourite singer in concert, followed hot on their heels by his neurotic mother and eccentric gran to hilarious effect. ?A vibrant , funny coming out tale,, A Little Lust is both immersive and totally life-affirming.
備注：已完結(jié)
類型：劇情片
主演：雅克·岡布蘭 莎拉·弗里斯蒂 齊達(dá)內(nèi)·蘇阿內(nèi) Carole Franc
語(yǔ)言：法語(yǔ)
年代：未知
簡(jiǎn)介：巴婭（莎拉·弗里斯蒂 Sara Forestier 飾）是一名右翼人士，在當(dāng)今的政壇上十分的活躍。她傳播思想的方式非常獨(dú)特——但凡跟她有過床笫之歡的右翼男士們，都紛紛投入到了左翼的陣營(yíng)之中。從小就生活在多元而寬松的家庭氛圍之中的巴婭自幼便是開放而又火熱的性格，對(duì)待感情和性十分開放，這和保守又刻板的亞瑟（雅克·甘布林 Jacques Gamblin 飾）恰恰相反?！ 喩且幻?guī)蹈矩的科學(xué)家，不幸的童年和家族里的悲慘歷史讓他不自覺的背負(fù)起了沉重的枷鎖，一輩子都生活在壓抑之中。這讓的他在機(jī)緣巧合之下同巴婭邂逅了，大相徑庭的兩人之間居然還碰撞出了愛情的火花。
備注：已完結(jié)
類型：劇情片
主演：古勒莫·法蘭塞拉 皮特·藍(lán)薩尼 LiliPopovich Gastón
導(dǎo)演：巴勃羅·特拉佩羅
語(yǔ)言：西班牙語(yǔ)
年代：未知
簡(jiǎn)介：影片根據(jù)一個(gè)真實(shí)的故事改編——普奇奧家族。這個(gè)富裕的布宜諾斯艾利斯家族索取贖金，殺人賺錢。根據(jù)阿根廷犯罪史上一次可怕的事件，電影剖析了罪惡的道德模糊性和平凡性。
備注：已完結(jié)
類型：喜劇片
主演：Alexandra Lamy Stéphane Rousseau Bé
導(dǎo)演：斯特凡納·卡贊吉安
語(yǔ)言：法語(yǔ)
年代：未知
簡(jiǎn)介：除夕夜的酒吧中，潦倒的劇作家埃里克使盡百寶挽回前女友卻慘遭失敗，與此同時(shí)，漂亮聰明的時(shí)髦女子艾爾莎卻被條件一般的男朋友用老套的辦法甩掉了。三年后埃里克憑借其創(chuàng)作的喜劇浪漫電影《摩登愛情》獲得成功，贏得了一位美貌的年輕姑娘的青睞，某日與已婚的前女友重逢，雙方都開始心猿意馬。在愛情中摸爬滾打的艾爾莎終于碰到了她的夢(mèng)中情人?，F(xiàn)實(shí)中的男女主角是否能收獲像電影中那樣美妙的愛情呢？
備注：已完結(jié)
類型：喜劇片
主演：阿爾·帕西諾 米歇爾·菲佛 ?？送袪枴ぐ＠啥?/a> 內(nèi)森·連恩 凱特·尼莉
導(dǎo)演：蓋瑞·馬歇爾
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：因?yàn)樵p騙罪，約翰尼（阿爾·帕西諾 Al Pacino 飾）面臨著為期一年半的牢獄之災(zāi)，出獄之后，無(wú)處可去的約翰尼被餐館老板尼克（赫克托·埃里仲杜 Hector Elizondo 飾）收留，成為了一名廚師。餐館的女侍應(yīng)生弗蘭基（米歇爾·菲佛 Michelle Pfeiffer 飾）吸引了約翰尼的目光，很快，約翰尼就對(duì)弗蘭基展開了熱烈的攻勢(shì)。
備注：已完結(jié)
類型：劇情片
主演：薩姆·德·格拉斯 Francelia Billington 埃里克·馮
導(dǎo)演：埃里克·馮·施特羅海姆
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
備注：已完結(jié)
類型：劇情片
主演：約翰·韋斯利·希普 布雷特·阿扎爾 Allison Mackie Ja
導(dǎo)演：Andrew Lyman-Clarke
語(yǔ)言：英語(yǔ)
年代：未知
簡(jiǎn)介：A skateboarder investigating the mysterious death of his roommate is led into the inner workings of a self-help company, and the pharmaceutical lab behind it.
