備注：已完結
類型：劇情片
主演：Rani Mukherjee ... Pooja Sahani Hri
語言：其它
年代：未知
簡介：拉杰（赫里尼克·羅斯?jié)h Hrithik Roshan 飾）和蒂娜（卡琳娜·卡普Kareena Kapoor 飾）是關系十分要好的玩伴，拉杰要移民到英國了，蒂娜答應他即使兩人身處異地，但依然要通過電子郵件來保持聯(lián)系?？墒?，當拉杰給蒂娜發(fā)電子郵件時，蒂娜卻總是愛理不理，蒂娜的好友波加（拉妮·瑪克赫吉 Rani Mukherjee 飾）實在看不下去，于是頂替了蒂娜的身份給拉杰回郵件?！ ∫换窝凼迥赀^去，在這十五年里，拉杰一直不知道，和他保持通信聊得火熱的，其實是波加。某日，拉杰決定回印度度假，蒂娜和波加的小小謊言眼看著就要被拆穿了。
備注：已完結
類型：恐怖片
主演：薩哈拉·?？ú祭聿?/a> PiyathidaWoramusik 蘇卡達·顧瓏
導演：索分·沙達菲斯
語言：泰語
年代：未知
簡介：經過長達14年的努力，阿提終于在清邁遠郊的拉達樂園購買了一幢屬于自己的房子。他事必躬親打理房中的一切，滿心歡喜等待妻子小斑和女兒小楠、兒子納特從曼谷到來。正處在青春期的小楠被迫和好朋友以及一直照料自己的外婆分別，因此心中憤憤不平，對父親時常語帶譏諷。與此同時，阿提一家的快樂喜悅也并未持續(xù)多久。某天，同小區(qū)一戶人家，警方發(fā)現緬甸籍女傭被人殺害，并藏尸冰箱之中。這一惡性事件令拉達樂園內人心惶惶，小斑更是充滿不祥的預感。雖然勉強支撐，但是阿提也不可避免地被一些靈異事件所困擾。
備注：已完結
類型：動作片
主演：Jakob Eklund Joel Kinnaman Ruth Veg
語言：瑞典語 / 法語 /
年代：未知
簡介：瑞典某市國王路公寓發(fā)生一起入室兇案，弗蘭克?瓦格納出于自衛(wèi)錯手殺死持槍入室的歹徒，瞬間被推向輿論的風口浪尖。他帶著妻兒找到了GSI的特警約翰?福爾克尋求幫助。與此同時犯罪團伙頭目推測弗蘭克可能是潛伏在圈子里的臥底，找到平素與弗蘭克有貿易合作的商人賽斯，恐嚇其散布消息重金懸賞捉拿弗蘭克的人。緊接著一名GSI女警員無故被槍擊致使昏迷，更令案件陷入重重謎團。警察當局威脅弗蘭克接受不平等契約，不然便要令他成為全國通緝犯。弗蘭克憤怒出逃。隨著五年前一宗擊斃犯罪分子的案件重新被想起，真相漸漸浮出水面，人們口中的殺人嫌犯弗蘭克原來真是為警察當局兢兢業(yè)業(yè)的臥底，也就是傳說中的“代號麗莎”，可他終究難逃亡命生涯……
備注：已完結
類型：恐怖片
主演：Eric Balfour Iva Hasperger Aarón Dí
語言：英語
年代：未知
簡介：片名源自dinosaur“恐龍時代的生物”，阿拉斯加的億年冰川中封存著一億五千年前鯊魚的幼苗，氣候變化影響之下，冰川凍結，遠古生物重現21世紀的海洋，游至瓦拉塔海港，一個寧靜溫暖的小港……饑餓的史前鯊對那里的人物張開了血盆大口，所到之處盡是一片血腥，殺戮何時才能終止呢？誰能除掉這頭猛獸呢？！
備注：已完結
類型：劇情片
主演：Arik Lavie Shaike Ophir Avraham Hef
語言：希伯來語
年代：未知
簡介：A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas' "Hallelujah the hills" (1962), it's an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics - parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch. A new immigrant, Tzelnik, arrives at the port of Jaffa. He goes to live in the Negev desert where he opens a kiosk in the middle of nowhere. Mizrachi comes along and opens a competing business across the way. The two make a living by selling to each other. As there is nothing there, they decide to create a world out of their imagination. They build a cardboard film set, which slowly takes on real dimensions- the buildings turn to concrete, people come to audition for parts in the "film" (cinema verité style, with Zohar mocking viciously the pretensions of the "actresses") and builders come to build appartment buildings (mocking the glorification of concrete and "heroic" settlement). In one sequence, Arab actors come and ask the filmmakers turn positive to negative, and they're given the role of pioneers who plow the land and sing zionist songs. The imagined world of the filmmakers becomes so real eventually they lose sight of the thin line between fantasy and reality. Along the way there are also many references to other films and genres: the samurai flicks of Kurosawa, westerns, the pop films by Richard lester, the meal scene from Tom Jones and many others. The film was made by a bunch of (very talented) friends Zohar gathered, and they shot it with their own funds, as a “collective flick”, another aspect of it that sets it apart from the rest of the production in the country.
