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備注:已完結(jié)
類型:劇情片
主演:Anna Neagle Anton Walbrook C. Aubre
語(yǔ)言:英語(yǔ)
年代:未知
簡(jiǎn)介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
備注:已完結(jié)
類型:劇情片
主演:沙?!たㄆ諣?/a> 費(fèi)莉西蒂·肯德?tīng)?/a> 杰弗里·肯德?tīng)?/a> LauraLiddel
導(dǎo)演:詹姆斯·伊沃里
語(yǔ)言:英語(yǔ) / 印地語(yǔ)
年代:未知
簡(jiǎn)介:故事講述生活在印度的一個(gè)英國(guó)家族劇團(tuán)。他們?cè)诔擎?zhèn)和鄉(xiāng)村間巡回演出莎士比亞的戲劇。透過(guò)他們的旅程,觀眾可看見(jiàn)印度的面貌在不斷變化,舊事物被新事物所取代,印度王公變成了酒店老板,體育運(yùn)動(dòng)變得比文化活動(dòng)更重要,傳統(tǒng)劇院被寶萊塢電影所取代。影片改編自Geoffrey Kendal和他女兒Felicity Kendal的游記。
備注:已完結(jié)
類型:劇情片
主演:伊芙琳·普雷爾 Flo Clements 詹姆斯·D·魯芬 Jack
導(dǎo)演:奧斯卡·米紹
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:Abandoned by her fiancé, an educated negro woman with a shocking past dedicates herself to helping a near bankrupt school for impoverished negro youths. Within Our Gates was created in response to The Birth of a Nation which depicted southern whites in need of the Ku Klux Klan to protect them from blood thirsty blacks. Micheaux shows the reality of Dixie racism in 1920, where a black man could be lynched for being in the wrong place at the wrong time.
備注:已完結(jié)
類型:劇情片
主演:Fausto Cabrera 弗蘭克·拉米雷斯 Delfina Gui
導(dǎo)演:塞爾希奧·卡布雷拉
語(yǔ)言:其它
年代:未知
簡(jiǎn)介:90年代的哥倫比亞電影作為拉美電影的重要一員而受到了國(guó)際上更多的矚目,同時(shí)也產(chǎn)生出一批優(yōu)秀的電影人和作品,塞爾吉奧.卡比雷拉就是其中最突出的一 位,他是90年代哥倫比亞最知名的電影導(dǎo)演。這部《蝸牛的策略》就是他第一部獲得廣泛贊譽(yù)的影片,他自己拍攝此片的時(shí)候也沒(méi)有想到它會(huì)引起巨大的成功,影 片不僅成為迄今為止哥倫比亞國(guó)內(nèi)最流行的電影,而且為他獲得了94年柏林電影節(jié)新電影論壇特別榮譽(yù)獎(jiǎng),以及比利亞雷斯拉美電影節(jié)當(dāng)年最佳拉丁美洲電影等眾 多國(guó)際大獎(jiǎng)。