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備注：已完結(jié)
類型：劇情片
導(dǎo)演：Mees Peijnenburg
語言：其它
年代：未知
簡介：影片獲荷蘭電影節(jié)最佳電視電影和最佳男演員獎(jiǎng)。內(nèi)斂的十七歲男孩托馬斯和他的性格奔放的妹妹娜奧米從童年起便被父母拋棄，住在青年福利局和不同的寄養(yǎng)家庭中。盡管他們希望從生活中獲得更多，卻除了保護(hù)自身之外再看不到絲毫的其他出路。在一次意外事件后，他們忽然找到了生活中最重要的支柱：雖然他們并非受上帝眷顧的國王之子，但他們至少擁有彼此，為此他們也將不惜一切。（小易甫字幕組）
備注：已完結(jié)
類型：劇情片
主演：博胡什·扎霍爾斯基 Svatava Hubeňáková
導(dǎo)演：伊日·門澤爾
語言：其它
年代：未知
簡介：In beautiful sunny afternoon in Prague, a man of a certain age discusses his love of Provence. Suddenly, a black flag is suspended. The composer Foerster died. Graduation film of director Jirí Menzel.
備注：已完結(jié)
類型：劇情片
主演：安吉拉·莫利納 塞西莉亞·戈麥斯 赫蘇斯·卡爾莫納 卡拉·西蒙 艾奈特
導(dǎo)演：卡拉·西蒙
語言：其它
年代：未知
簡介：Carla è incinta e nuda, imitando le pose che sua madre assumeva quando era incinta di Carla. La luce del sole filtra dalle finestre. Si vedono immagini in Super-8 di madri e padri, nonne e nonni, che sorridono, cuciono, recitano poesie. Poi, una giovane ragazza viaggia dagli anni Sessanta agli anni Ottanta, fino a oggi, attraversando le soglie della femminilità e della storia, fino all’incontro con Carla in riva al mare azzurro della Catalogna e con Manel, il figlio di Carla appena nato.
備注：已完結(jié)
類型：劇情片
導(dǎo)演：張大磊
語言：國語
年代：未知
簡介：《我的朋友》邀請F(tuán)IRST FRAME年度推薦人周迅、王一博共同演繹，由青年導(dǎo)演張大磊執(zhí)導(dǎo)，描摹尋常處的體面之美，捕捉人情的雋永時(shí)刻，復(fù)現(xiàn)電影所帶來的的生活向往?！段业呐笥选芬嗳绱┰綍r(shí)空的影票，誠邀觀眾走進(jìn)FIRST FRAME的影像世界，以電影傳統(tǒng)傳承啟發(fā)，鼓勵(lì)青年影人的創(chuàng)造精神，以經(jīng)典重現(xiàn)過去，以時(shí)光雕刻未來?！ ‘?dāng)耳畔響起女主角小周溫柔平實(shí)的喃喃絮語，我們與當(dāng)下暫別，一起回到90年代的日常。小周以檢票員的身份打開觀眾前往影像世界的入口，電影院如同永駐的庇護(hù)所，銀幕悄然召喚人群，人與人因電影而久別重逢，相互安慰，蕩漾情誼的波瀾?！段业呐笥选芬驈?fù)歸影院精神而熠熠生輝，銀幕之光照應(yīng)萬「幀」流轉(zhuǎn)，而獨(dú)一無二的電影樣本與人情聚離，蘊(yùn)藉雋永。交錯(cuò)光影映照出小周與一博的面容，成為朋友的契機(jī)悄然而至，而電影亦是每一個(gè)人的朋友。
備注：已完結(jié)
類型：劇情片
主演：依萊姆·克里莫夫 Valentin Rasputin Stefaniy
導(dǎo)演：依萊姆·克里莫夫
語言：其它
年代：未知
簡介：A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art. Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
備注：已完結(jié)
類型：劇情片
主演：未知
語言：其它
年代：未知
簡介：盡管妻子渴望孩子，年輕丈夫卻希望借她之腹，以胚胎移植的方式誕下因癌癥離世的前未婚妻的后代。圍繞著婚姻危機(jī)中的女主角面臨的個(gè)人、法律和道德困境，影片一方面通過生殖科學(xué)技術(shù)的倫理尺度討論了由此限制母親身份的特殊社會(huì)環(huán)境，也開放性地表達(dá)了母子之間的生物學(xué)關(guān)聯(lián)是否作為“母愛”概念的必要前提的質(zhì)疑。該短片入圍2017年學(xué)生奧斯卡最佳外國劇情片獎(jiǎng)，是土耳其導(dǎo)演哈利特?伊茲在科隆媒體藝術(shù)學(xué)院(KHM)的第二部短
