備注：已完結(jié)
類型：喜劇片
主演：阿什利·威廉姆斯 盧克·馬可法萊恩 馬庫斯·羅斯納 皮特·
導(dǎo)演：Troy Scott
語言：英語
年代：未知
簡介： In Notes of Autumn, Ellie (Williams) is a fun-loving, classically trained pianist living in the city who gave up on her passion long ago. She now works for a hotel and always seems to be getting things wrong when musical inspiration strikes. Her best friend, Leo (Macfarlane), lives in the rustic outskirts of British Columbia. He’s a famous author with writer’s block who can’t finish another installment in his highly popular book series. They both need a change of scenery as the chilly days of autumn settle in and decide to swap places, ending up completely lost in new surroundings. Ellie gets tangled up in helping Leo’s neighbor, Sam (Rosner), put together a musical performance for a local fundraiser and comes to terms with why she quit music years ago. Meanwhile, Leo strikes up a friendship with Ellie’s good friend Matt (Porte) and opens himself up to writing something different that really inspires him. Their newfound friendships turn into something far more meaningful. As both Ellie and Leo take part in the joys of the autumn season, they also discover their hearts belong somewhere very different than they ever thought possible.
備注：已完結(jié)
類型：歐美劇
主演：艾米-費歐?愛德華茲 馬丁·康普斯頓 梅拉·沙爾 莎朗·魯
語言：英語
年代：未知
簡介： Based on the debut novel The Othello Club by J.D. Pennington, the series follows six strangers brought together by a divorce support group who quickly transform from therapy-seeking victims into architects of retribution. With little in common beyond their pain, they form an unlikely bond. What begins as a cathartic outlet quickly spirals into something far more dangerous.
備注：已完結(jié)
類型：劇情片
主演：本尼迪克特·康伯巴奇 大衛(wèi)·休里斯 薩姆·斯普盧爾 杰西·卡芙 雯葉特
導(dǎo)演：迪倫·索敦
語言：英語
年代：未知
簡介：該片根據(jù)Max Porter的小說《Grief is the Thing With Feathers》改編，講述了一位父親和他的兩個年幼的兒子如何面對妻子和母親的突然死亡，在試圖重建生活的過程中，遭遇了一些神秘的事情。
備注：已完結(jié)
類型：劇情片
主演：路易莎·拉涅瑞 杰絲敏·特麗卡 斯特凡諾·阿科爾西 Luc
導(dǎo)演：弗森·歐茲派特
語言：意大利語
年代：未知
簡介： A film director gathers his favorite actresses, those he worked with and those he loved. He wants to make a film about women but he doesn’t reveal much: he observes them, takes cue, until his imaginary throw them into another era, in a past where the noise of the sewing machines fills a workplace handled and populated by women, where men have minor and marginal roles and cinema can be told from another point of view: the one of costume. Between loneliness, passions, anxieties, heartbreaking absence and unbreakable bonds, reality and fiction permeate, as well as the lives of the actresses and those of the characters, the competition and the sisterhood, the visible and the invisible.
